Precise data, collected over years, allows predictable results..

With voicing, we describe the possibilities to change the character of a sound. Sound is often described with terms like warm or bright, overtone rich, stuffy, dull, too open, too closed, resistant, hesitant, unstable, muffled, etc.

What you can do
All of these "voices" are the product of the way the player blows the air through the instrument and its construction It will create the overtone spectrum.


As a player, you have three possibilities to influence the sound:
1. You can change the amount of air you blow into the instrument
2. You can change the airspeed
3. You can influence the way how the reed can vibrate.
The rest depends on the design and efficiency of the instrument and used equipment - reeds, barrel, ligature, and mouthpiece.

Where we can help
As soon as the air enters the instrument, it is the geometry of the bore, tone holes, and many different aspects regarding the padding, which will have a great impact on the sound. Through controælled adjustments, we can manipulate the air, and therefore also the sound in the direction the player likes it to go.

Spectral alalysis in 3 D Frequency, amplitude over time

Today, We can darken or brighten, open, or close the sound. We can lift or lower the pitch, make the instrument respond faster, or vibrate longer, just to mention some of the possibilities we have today.

Let us know what's on your mind, and we can offer you our options.

Live visualisation of an soundwave within a tube

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